{"id":1416,"date":"2026-02-19T15:21:57","date_gmt":"2026-02-19T15:21:57","guid":{"rendered":"https:\/\/yolandasanmarcos.com\/?page_id=1416"},"modified":"2026-02-21T17:18:00","modified_gmt":"2026-02-21T17:18:00","slug":"fronteras-invisibles","status":"publish","type":"page","link":"https:\/\/yolandasanmarcos.com\/en\/fronteras-invisibles\/","title":{"rendered":"Invisible Borders"},"content":{"rendered":"
\n
\"\"<\/figure><\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div>\n<\/div>\n\n\n\n
\n

Invisible Borders<\/strong><\/h2>\n\n\n\n

Oil and mixed media on canvas | 100 \u00d7 90 cm | 2022<\/strong>
1st Art Prize Ordino Jardins d'Art 2022<\/strong><\/p>\n\n\n\n

\"Invisible Borders\" explores the extrasensory human dimension: how we perceive depth in certain people while others pass unnoticed. The series investigates those invisible thresholds of connection and recognition between human beings.<\/p>\n\n\n\n

The original installation combined linear figures in plexiglass that camouflaged with the environment, contrasted with three imposing portraits where the use of color and disruptive realism allows a psychological reading of the represented subject.<\/p>\n\n\n\n

El Mentiroso<\/strong> and El Consciente<\/strong> are double-sided works that can be contemplated from both sides, offering two distinct readings of the same figure. This physical duality reinforces the concept of the multiple layers of perception we apply to those around us.<\/p>\n\n\n\n

Wisdom<\/strong> completes the triad with a mixture of hyperrealism and chromatic abstraction that captures the tension between the visible and the intuited.<\/p>\n\n\n\n

Obras disponibles:<\/strong> Wisdom, El Mentiroso, El Consciente<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

\n
\"\"<\/figure><\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
\n
\n

Wisdom<\/h3><\/div><\/div><\/div>\n\n\n\n
\n
\n
\"\"\/<\/span>AVAILABLE<\/span><\/div>\n\n\n\n
Oil on canvas 70 X 100 CM<\/span><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

Through speculative hyperrealism, this work visually materializes inner wisdom as a state of the subconscious. The portrait captures the moment where deep understanding physically manifests in the face, suggesting that true knowledge transforms our very essence. The mixture of realism and chromatic abstraction makes tangible the intangible of the human illumination process, revealing those invisible borders between what we show and what we are.<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Detail 1<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure><\/div>\n<\/div><\/div>\n\n\n\n
\n

Detail 2<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

<\/div><\/div>\n\n\n\n
\n
\n
\n

El Mentiroso<\/h3><\/div>

Oil on plexiglass<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\n

Double-sided work that explores the duality between appearance and truth. On one side, the open eyes capture the subject's expression in the act of lying. When rotating the work, the closed eyes reveal the internal weight of their deception. This physical double reading materializes how we perceive contradictions in others: that invisible border between what someone projects and what we sense they hide.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
<\/div><\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div>\n<\/div>\n\n\n\n
\n

El mentiroso<\/h3><\/div>

Side A<\/p><\/div><\/div>\n\n\n\n

\n
\n
\"\"\/<\/span>AVAILABLE<\/span><\/div>\n\n\n\n
Oil on plexiglass 74 x 104 cm <\/span><\/div>\n\n\n\n
\"\"\/<\/span>AVAILABLE<\/span><\/div>\n\n\n\n
Oil on plexiglass 74 x 104 cm <\/span><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
<\/div><\/div>\n\n\n\n
\n
\n
\n

El mentiroso<\/h3><\/div>

Side B<\/p><\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
<\/div><\/div>\n\n\n\n
\n
\n

El consciente<\/h3><\/div>

Counterpart to \"El Mentiroso\", this work represents the state of full mental clarity where thought observes itself. The hands on the face capture the gesture of deep introspection, while the calligraphy and color strokes function as a visual manifestation of conscious internal dialogue.
This work explores psychic transparency: a subconscious that allows itself to be observed, where thought and expression coincide without filters. The fusion of technical hyperrealism with gestural elements symbolizes how full consciousness integrates reason (represented by realistic precision) and intuition (the spontaneous strokes).
<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\n
\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
<\/figure><\/div>\n<\/div>\n\n\n\n
<\/div>\n<\/div><\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Fronteras Invisibles \u00d3leo y t\u00e9cnica mixta sobre lienzo | 100 \u00d7 90 cm | 20221er Premio Ordino Jardins d’Art 2022 […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1416","page","type-page","status-publish","hentry"],"yoast_head":"\nFronteras Invisibles - | Art | Design | Art director<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fronteras Invisibles - | Art | Design | Art director\" \/>\n<meta property=\"og:description\" content=\"Fronteras Invisibles \u00d3leo y t\u00e9cnica mixta sobre lienzo | 100 \u00d7 90 cm | 20221er Premio Ordino Jardins d’Art 2022 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/yolandasanmarcos.com\/en\/fronteras-invisibles\/\" \/>\n<meta property=\"og:site_name\" content=\"| Art | Design | Art director\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-21T17:18:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2026\/02\/Hero_image_text_complete_fronteres-_invisibles-1024x520.png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/fronteras-invisibles\\\/\",\"url\":\"https:\\\/\\\/yolandasanmarcos.com\\\/fronteras-invisibles\\\/\",\"name\":\"Fronteras Invisibles - | Art | Design | Art director\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/fronteras-invisibles\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/fronteras-invisibles\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/yolandasanmarcos.com\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/Hero_image_text_complete_fronteres-_invisibles-1024x520.png\",\"datePublished\":\"2026-02-19T15:21:57+00:00\",\"dateModified\":\"2026-02-21T17:18:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/fronteras-invisibles\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/yolandasanmarcos.com\\\/fronteras-invisibles\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/fronteras-invisibles\\\/#primaryimage\",\"url\":\"https:\\\/\\\/yolandasanmarcos.com\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/Hero_image_text_complete_fronteres-_invisibles-1024x520.png\",\"contentUrl\":\"https:\\\/\\\/yolandasanmarcos.com\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/Hero_image_text_complete_fronteres-_invisibles-1024x520.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/fronteras-invisibles\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/yolandasanmarcos.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fronteras Invisibles\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/#website\",\"url\":\"https:\\\/\\\/yolandasanmarcos.com\\\/\",\"name\":\"| Art | Design | Art director\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/#\\\/schema\\\/person\\\/dc3bbc614be2782cbd19f7b6d647a1c6\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/yolandasanmarcos.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/#\\\/schema\\\/person\\\/dc3bbc614be2782cbd19f7b6d647a1c6\",\"name\":\"Yolandasanmarcos\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/cropped-Recurso-1Credits-500x56-1.png\",\"url\":\"https:\\\/\\\/yolandasanmarcos.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/cropped-Recurso-1Credits-500x56-1.png\",\"contentUrl\":\"https:\\\/\\\/yolandasanmarcos.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/cropped-Recurso-1Credits-500x56-1.png\",\"width\":500,\"height\":56,\"caption\":\"Yolandasanmarcos\"},\"logo\":{\"@id\":\"https:\\\/\\\/yolandasanmarcos.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/cropped-Recurso-1Credits-500x56-1.png\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fronteras Invisibles - | Art | Design | Art director","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_US","og_type":"article","og_title":"Fronteras Invisibles - | Art | Design | Art director","og_description":"Fronteras Invisibles \u00d3leo y t\u00e9cnica mixta sobre lienzo | 100 \u00d7 90 cm | 20221er Premio Ordino Jardins d’Art 2022 […]","og_url":"https:\/\/yolandasanmarcos.com\/en\/fronteras-invisibles\/","og_site_name":"| Art | Design | Art director","article_modified_time":"2026-02-21T17:18:00+00:00","og_image":[{"url":"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2026\/02\/Hero_image_text_complete_fronteres-_invisibles-1024x520.png","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/yolandasanmarcos.com\/fronteras-invisibles\/","url":"https:\/\/yolandasanmarcos.com\/fronteras-invisibles\/","name":"Fronteras Invisibles - | Art | Design | Art director","isPartOf":{"@id":"https:\/\/yolandasanmarcos.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/yolandasanmarcos.com\/fronteras-invisibles\/#primaryimage"},"image":{"@id":"https:\/\/yolandasanmarcos.com\/fronteras-invisibles\/#primaryimage"},"thumbnailUrl":"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2026\/02\/Hero_image_text_complete_fronteres-_invisibles-1024x520.png","datePublished":"2026-02-19T15:21:57+00:00","dateModified":"2026-02-21T17:18:00+00:00","breadcrumb":{"@id":"https:\/\/yolandasanmarcos.com\/fronteras-invisibles\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/yolandasanmarcos.com\/fronteras-invisibles\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/yolandasanmarcos.com\/fronteras-invisibles\/#primaryimage","url":"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2026\/02\/Hero_image_text_complete_fronteres-_invisibles-1024x520.png","contentUrl":"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2026\/02\/Hero_image_text_complete_fronteres-_invisibles-1024x520.png"},{"@type":"BreadcrumbList","@id":"https:\/\/yolandasanmarcos.com\/fronteras-invisibles\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/yolandasanmarcos.com\/"},{"@type":"ListItem","position":2,"name":"Fronteras Invisibles"}]},{"@type":"WebSite","@id":"https:\/\/yolandasanmarcos.com\/#website","url":"https:\/\/yolandasanmarcos.com\/","name":"| Art | Design | Art director","description":"","publisher":{"@id":"https:\/\/yolandasanmarcos.com\/#\/schema\/person\/dc3bbc614be2782cbd19f7b6d647a1c6"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/yolandasanmarcos.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":["Person","Organization"],"@id":"https:\/\/yolandasanmarcos.com\/#\/schema\/person\/dc3bbc614be2782cbd19f7b6d647a1c6","name":"Yolandasanmarcos","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2025\/05\/cropped-Recurso-1Credits-500x56-1.png","url":"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2025\/05\/cropped-Recurso-1Credits-500x56-1.png","contentUrl":"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2025\/05\/cropped-Recurso-1Credits-500x56-1.png","width":500,"height":56,"caption":"Yolandasanmarcos"},"logo":{"@id":"https:\/\/yolandasanmarcos.com\/wp-content\/uploads\/2025\/05\/cropped-Recurso-1Credits-500x56-1.png"}}]}},"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"kt6pxoi1biun","author_link":"https:\/\/yolandasanmarcos.com\/en\/author\/kt6pxoi1biun\/"},"uagb_comment_info":0,"uagb_excerpt":"Fronteras Invisibles \u00d3leo y t\u00e9cnica mixta sobre lienzo | 100 \u00d7 90 cm | 20221er Premio Ordino Jardins d’Art 2022 […]","_links":{"self":[{"href":"https:\/\/yolandasanmarcos.com\/en\/wp-json\/wp\/v2\/pages\/1416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yolandasanmarcos.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yolandasanmarcos.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yolandasanmarcos.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/yolandasanmarcos.com\/en\/wp-json\/wp\/v2\/comments?post=1416"}],"version-history":[{"count":12,"href":"https:\/\/yolandasanmarcos.com\/en\/wp-json\/wp\/v2\/pages\/1416\/revisions"}],"predecessor-version":[{"id":1616,"href":"https:\/\/yolandasanmarcos.com\/en\/wp-json\/wp\/v2\/pages\/1416\/revisions\/1616"}],"wp:attachment":[{"href":"https:\/\/yolandasanmarcos.com\/en\/wp-json\/wp\/v2\/media?parent=1416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}